I Sing Of What I Love: The Winners

Of the 10th Antigone Competition!

After a summer that yawned wide but kept us ever active, we’re at last back in the saddle. And there’s no happier way to start the new season of Antigone articles than to celebrate the wondrous talents of our readers.

For our 10th competition, we challenged you to write a poem that channelled, directly or indirectly, your enthusiasm for studying the worlds of the Greeks and Romans. Other than a mild steer about length, and a firm steer about form, you were free to compose as you liked. And, by Jove and Jingo, how you did! Over 200 entries from all around the world covered almost every subject under the sun, and with all manner of rhythm and rhyme to boot. (A crop weren’t in any recognisable verse form to our world-weary eyes, but we very much enjoyed your palpable enthusiasm nevertheless: thank you!)

The six judges met in a mutually agreeable location, halfway up the steep southern slope of Bárðarbunga: while there were some mumblings about the burning basalt, and some grumblings about limbs lost to the occasional interruption of lava, the surviving members of the panel agreed that, as stratovolcanoes go, this definitely earned a place in the Would Definitely Come Back category.

Well, we thought about a quarter of the entries were excellent, and the top ten per cent truly brilliant. It was exceptionally hard to choose just half a dozen Winners proper (three for each of our two age categories), but after much umming, ahhing and general blah-blahing, we eventually managed to craft a pair of podia.

So, here are our prizewinners, taking away among themselves a good healthy splash of cash and some lovely old books! Vel gert, gaurar!


 

Three Riffs On Propertius

 

Cynthia Confronts Propertius

Unwelcome, she returns, reeking of ash.

Her eyes are molten; bolts of hair are waving

in wind he cannot feel. Her tirades thrash

wildly between lucidity and raving.

She is intent on settling the score:

her funeral was cheap and no one wept;

he promptly took up with a low-class whore

who dumped her baubles; not one thing was kept.

 

She spits demands: support her ancient nurse

in decent style and build a better grave

adorned with ivy! Free her faithful slave!

He starts to crumble. Sorrow stirs a wave

of shame until she snaps, “and burn your verse!”—

the one concession she cannot coerce.

 

Cynthia Defeated

She pleads for mercy she cannot coerce

while fading in the hints of morning light.

Her lover’s dream is starting to disperse,

yet he displays no wish to reunite.

Still arguing, she vanishes. He wakes,

unnerved, and sends a boy for figs and wine.

Unwillingly, her thinning spirit snakes

through smoke as soul and shadow intertwine.

 

Although she kissed the Lethe’s waters once,

she faked a sip with flawless self-control,

since cleansing memory of his affronts

would tear apart the fabric of her soul.

She spurns amnesia as a vain deceit,

and vows to torture him when next they meet.

 

Cynthia Triumphant

 

She vowed to torture him; he fears they’ll meet

in Hades. While his wife and children keep

their somber watch, he reels at blasts of heat

and hears low horns that whisper he should sleep,

but he exhausts himself to stay awake

and prays that she is only ash and bone.

He cries out as the shadows start to take

on form, and he begins to twitch and moan.

 

Cynthia revels in her numbness ending;

she feels ablaze once more. Small snatches of

cold-blooded tributes hiss like snakes defending

their dens. She feels their future, but no love.

She swears she will not let him disavow

his promise; no slick line can save him now.

 

A.M. Juster, Belmont, MA, USA

 


Second Prize (£150)

Countryman

Pausanias at Marathon

 

During the battle, in the thick of it,

a trooper of our regiment

suddenly lost the sight of both eyes.

Not touched by any weapon,

 

from that moment he was blind.

He used to say (I knew his father),

that he fancied he was facing

a man in heavy armour –

 

a man so tall that the shadow

of his chin darkened his shield.

The phantom passed one soldier by:

the man at his side he killed.

 

Now we have returned to raise

our monuments and plant our store

yet still in the sweaty night we hear

the horses whinny and the noise of war.

 

(None who schemes to know this vision

ever thrives, but the pleasances

show no wrath to those who, unaware,

happen on such presences.)

 

Some say too that in the field that day

they saw a man of rustic gist

and dress, who seemed to rise

out of the earth, into the mist.

 

Wielding his wooden plough, he set

about the enemy, and slew many.

As suddenly he vanished,

into the earth, exactly,

 

they say, at the green spot

where the burial mound stands. Now,

he returns in season to struggle

and work with us, he of the plough.

Tony Voss, Zetland, NSW, Australia

 


Third Prize (five antiquarian Classics books)

Ancients and Moderns

I.

Awake through the night, belated, distraught,

I longed for ancient giants—for the best

Which had been thought and said. What I sought

Lacks light, it seems. The last ancient confessed,

Now the path darkens through glass. Pagan thought

Is little more than devil dreams. Find rest

As the last Troy burns; gloried heroes fade.

The meek inherit the earth their God made.

 

II.

The lost millennium begins, obscured

By just an eon in the East. We find

Our constant in Christ. Romans, be assured

We have reached the secret. The divine mind

is one, not many; God is more matured

than newborn Saturn; you exalt mankind

And forfeit the heavenly city.

How Stoic. There is no vice in pity.

 

III.

I had long hoped for an eternal name:

The one that breaks the branching soul like thunder.

Borne above the self-same stars; grasping fame

Beyond Time’s Hunger. Let us wonder

How these authorities defy Lethe’s claim

But are always compelled to dwell under.

By grace we know man is no measure of

things. We are wise at the pleasure of

 

IV.

God, the artist. Let his divine nature

Perfect our imitations. Have we strayed

Far from the source, the originator

Of beneficence and truth? Every maid

And marble taken by usurpature

Would have, like those false idols, decayed

By Time’s ravages: the power, the glory

Of still another ancient story.

 

V.

I slept like the dead, but could not find them.

Days of lucid dreamlessness stalled my sleep.

And then just before the coveted REM,

Apparitions emerged from dream-work’s deep:

He rustled through my books, began to condemn

My rented Aeneid—he even weeped,

And his hands faltered. He could not render

What he meant. The ivory held its splendor.

 

VI.

Descartes, discarnate, wakes me in a fright.

“Has he left?” “Who?” I ask. “Virgil of course,

I saw him leaving, I think, though I might

Have cause to doubt. These words he left, though coarse

Like sand and mud’s debris, here Reason’s light

Will sift, restoring by method’s discourse

Foundations to be saved, though disputed.

That which still remains can be uprooted.”

 

VII.

They said shades loathe the light, but when was it

Brighter? Reason and logic and science

Abound like saving grace. Now we posit

What the old philosophers and giants

Dimly knew. No Byzantines can cause it

To belong again to holy silence.

Tradition, perhaps, was copper and glass;

We now discern gold’s glitter from mere brass.

 

VIII.

Some read books to quiet a restless mind.

Here an encyclopedia will do:

At the start, an editor’s note I find

Catches my eye: He champions the new

Thought, and rebirth of an infant mankind

And, by God, bids old scholastics adieu.

Lord, forgive your servant Urban (no, the eighth):

Doubt is integral to a life of faith.

 

IX.

When men’s opinions ceased to be the Word,

Mnemosyne, fertile still, shook off her dust

To rouse her sleeping children. They stirred

And inspired men to polish rust

Off the old antiques, to find there averred

Fragments, shored together, Greek or Arab.

They saw further on the wings of cherubs.

 

X.

I lingered here, in this liminal rest,

Not quite sleeping, not quite awake. I thought

I should follow Virgil—no, Descartes, lest

I wake up in the now times, to be caught

Here, living without the sacred, the blessed,

And belief; where truth amounts to naught;

History never ends. Light brought from dark

There in the beginning. The arche’s arc.

Mana Afsari, Washington, DC, USA

 


First Prize (£200)

Ode to Classics

 

Remind me, please, O Magister

Explain to me once more 

The sudden lack of posterage

Hanging from your door.

 

To me it doesn’t seem quite right 

For classroom and abode

To cease to have its glories sung

On account of fire code.

 

Now creak upon your hinge, O Door

Allow me to describe

The covert wonders you conceal

The ancient walls inside.

 

Plastered to the pale brick

Familiar placards reign

Declaring sayings ever apt

Affirming their domain.

 

Here, we’re told to hurry slowly

There, to seize the day

Here, we read as Ovid’s Daedalus 

Uttered ‘seize the way’.

 

Above the window to the left

Achilles’ rage is sung

Among the other famous lines

That praise the ancient tongue.

 

Gaze upon the bookshelf now,

Supporting weighty verse

Both Stoic works and those that trust

Lucretius’ universe,

 

Pindarian odes, philology,

Aristophanes 

Red-spined books entwined with Plutarch 

Hug Euripides.

 

Above, a wide-eyed Alexander

Locked in tesserae

Stares on as frescoed Clytemnestra

Hides her face to cry.

 

Across the room on timeworn rollers

Is a map of Trajan’s Rome

We swarmed around like Virgil’s bees

To take its nectar home.

 

Glancing over, see the whiteboard

Laced with epigrams

Beneath, that poster ‘bout Catullus

No one understands.

 

Perhaps you wonder why I feel

For this room like no other.

I don’t know, although I’ve tried

But I feel it and I wonder.

 

Now take this poster, please, I beg

And add it to the view

So all who search these walls may know

That I have loved it too.

Fulvia Minor, Milwaukee, WI, USA

 


Second Prize (£100)

Great Mother Cybele

(a poem in the Galliambic metre)

 

Oh great mother, blessings softly

  all surround your priests, which bathe

in their flowing cruor, eardrums

  pound, hurt with songs in your name. 

I yearn blindly, seeking flashlight

  revelations like theirs every

night, oh goddess, evening weeps, cherry

  red desire in which you swathe 

me, may worship fondle woodwork

  of your greatness, for years the same

as when wailings uttered “Troy burnt”

  but your worship still sparked revelry.

Alice Saba, Pavia, Italy

 


Third prize (five antiquarian Classics books)

Untitled

 

Long ago, in the days of old

When men were brave, so I’ve been told

There was in the hot south a land

That was both fair and proud and grand.

 

The name of that land was Greece

More to the west than the east

Well-learned in all its city states

Full of wisdom to the gates.

 

Though they were great, they lacked one thing

They did not believe in Christ our King:

They were pagans through and through

They worshiped gods and goddesses too.

 

Though loudly did their muses sing

They must end like everything

And where they built their palaces grand

Is nothing left but dust and sand.

Mary Dolezal (aged 11), Springfield, NE, USA

 


Very many congratulations to all! If you are keen for more, come enjoy this garland of the thirty-or-so poems we adjudged to be best of the rest. And thank you so much to all of you who took the time to write, and let the Muse take over your minds. We do hope that you enjoyed producing these poems even half as much as we enjoyed reading them. Talium floreat amor!