[{"id":41494,"date":"2026-08-21T16:06:43","date_gmt":"2026-08-21T15:06:43","guid":{"rendered":"https:\/\/antigonejournal.com\/?p=41494"},"modified":"2026-08-21T19:21:35","modified_gmt":"2026-08-21T18:21:35","slug":"socrates-street-marble-workers","status":"publish","type":"post","link":"https:\/\/antigonejournal.com\/2026\/08\/socrates-street-marble-workers\/","title":{"rendered":"Socrates in the Street of the Marble Workers"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong><em>John Sellars<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Socrates, we are told, was the son of Sophroniscus, a stonemason or marble worker (\u03bb\u03b9\u03b8\u03bf\u03c5\u03c1\u03b3\u03cc\u03c2<em>, lithourgos<\/em>), and in his youth he may well have been apprenticed to his father.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_1')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_1')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_1')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_1')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_1');\" ><sup id=\"footnote_plugin_tooltip_41494_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_1\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_1')\" >See Diogenes Laertius, <em>Lives of the Philosophers<\/em> 2.18, and also 2.20, where Diogenes reports that Crito rescued Socrates from the workshop where he was working.<\/span><\/span> Socrates was born in 469 BC; when he came of age Athens would have been in the full throng of repair and reconstruction after the Persian sacks of the city in 480 and 479 BC. Work finally started on the Parthenon, on the site of an older temple destroyed by the Persians, around 447 BC, when Socrates would have been in his early twenties.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_2')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_2')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_2')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_2')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_2');\" ><sup id=\"footnote_plugin_tooltip_41494_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_2\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_2')\" >For an engaging account of the Persian invasion (reported in Herodotus 8.52\u20133) and the subsequent construction of the Parthenon, see David Stuttard, <em>Parthenon: Power and Politics on the Acropolis<\/em> (The British Museum Press, London, 2013).<\/span><\/span> It does not feel like too much of a leap to suggest that Socrates\u2019 father and perhaps his young apprentice worked on the construction of the Parthenon. Indeed, a couple of sources claim that the statues of the Graces at the entrance of the Acropolis were made by Socrates.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_3')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_3')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_3')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_3')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_3');\" ><sup id=\"footnote_plugin_tooltip_41494_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_3\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_3')\"  style=\"width: 33.6em;\">See Diogenes Laertius 2.19 and Pausanius 1.22.8.<\/span><\/span><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"639\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-1024x639.png\" alt=\"\" class=\"wp-image-17952\" style=\"aspect-ratio:1.6009356924283256;width:570px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-1024x639.png 1024w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-300x187.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-768x480.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-1200x749.png 1200w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-700x437.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-641x400.png 641w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL-560x350.png 560w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2023\/01\/8SocJCL.png 1454w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Eight likenesses of Socrates, Johann Caspar Lavater, c.1789.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Did Socrates\u2019 father have a workshop? If he did, where might it have been? The truth is that we have no way of knowing but it is tempting to speculate that it might have been on what is now known as the Street of the Marble Workers, running southwest from the Agora in the centre of Athens. The street is so named because archaeologists have found large quantities of marble chips in buildings along the street that are consistent with what one might expect to find in a sculptor\u2019s workshop.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_4')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_4')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_4')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_4')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_4');\" ><sup id=\"footnote_plugin_tooltip_41494_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_4\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_4')\" >See Homer A. Thompson and R.E. Wycherley, <em>The Athenian Agora Vol. XIV: The Agora of Athens<\/em> (The American School of Classical Studies at Athens, Princeton, NJ, 1972) 187. This and other volumes in the same series are freely available online <a href=\"https:\/\/www.ascsa.edu.gr\/publications\/books\/open-access-books\/athenian-agora-oa\">here<\/a>.<\/span><\/span> From this spot, both father and son would have had a fine view of the newly emerging Parthenon high above them on the Acropolis.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"480\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthMarble.png\" alt=\"\" class=\"wp-image-41511\" style=\"aspect-ratio:1.9583296288164098;width:572px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthMarble.png 940w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthMarble-300x153.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthMarble-768x392.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthMarble-700x357.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthMarble-783x400.png 783w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthMarble-560x286.png 560w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><figcaption class=\"wp-element-caption\"><em>The Street of the Marble Workers, in the archaeological site of the Agora in Athens.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">We have no idea whether Socrates\u2019 early life took shape on the Street of the Marble Workers, but I like to think that it did because we do have evidence to suggest that this street was the scene for important events in his subsequent life.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">At one end of the street, where it meets the Agora, we find the House of Simon. Archaeologists have named it such because in it they found the base of a pot with \u03a3\u0399\u039c\u039f\u039d\u039f\u03a3 (Simon\u2019s) scratched on it.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_5')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_5')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_5')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_5')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_5');\" ><sup id=\"footnote_plugin_tooltip_41494_1_5\" class=\"footnote_plugin_tooltip_text\">[5]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_5\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_5')\"  style=\"width: 28em;\">See Thompson and Wycherley (as n.4) 174.<\/span><\/span> They also found, scattered over the floor, hobnails, suggesting that the building belonged to a shoemaker. Quite separate from these archaeological discoveries, Diogenes Laertius tells us that there once lived in ancient Athens a man known as Simon the Shoemaker. He writes:<\/p>\n\n\n<p style=\"padding-left: 40px; text-align: justify;\">\u03a3\u03af\u03bc\u03c9\u03bd \u1f08\u03b8\u03b7\u03bd\u03b1\u1fd6\u03bf\u03c2, \u03c3\u03ba\u03c5\u03c4\u03bf\u03c4\u03cc\u03bc\u03bf\u03c2. \u03bf\u1f57\u03c4\u03bf\u03c2 \u1f10\u03c1\u03c7\u03bf\u03bc\u03ad\u03bd\u03bf\u03c5 \u03a3\u03c9\u03ba\u03c1\u03ac\u03c4\u03bf\u03c5\u03c2 \u1f10\u03c0\u1f76 \u03c4\u1f78 \u1f10\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9\u03bf\u03bd \u03ba\u03b1\u1f76 \u03b4\u03b9\u03b1\u03bb\u03b5\u03b3\u03bf\u03bc\u03ad\u03bd\u03bf\u03c5 \u03c4\u03b9\u03bd\u03ac, \u1f67\u03bd \u1f10\u03bc\u03bd\u03b7\u03bc\u03cc\u03bd\u03b5\u03c5\u03b5\u03bd \u1f51\u03c0\u03bf\u03c3\u03b7\u03bc\u03b5\u03b9\u03ce\u03c3\u03b5\u03b9\u03c2 \u1f10\u03c0\u03bf\u03b9\u03b5\u1fd6\u03c4\u03bf\u00b7 \u1f45\u03b8\u03b5\u03bd \u03c3\u03ba\u03c5\u03c4\u03b9\u03ba\u03bf\u1f7a\u03c2 \u03b1\u1f50\u03c4\u03bf\u1fe6 \u03c4\u03bf\u1f7a\u03c2 \u03b4\u03b9\u03b1\u03bb\u03cc\u03b3\u03bf\u03c5\u03c2 \u03ba\u03b1\u03bb\u03bf\u1fe6\u03c3\u03b9\u03bd.<\/p>\n<p style=\"padding-left: 40px; text-align: justify;\"><em>Simon was an Athenian and a shoemaker. When Socrates visited his workshop and conversed on any subject, Simon made notes of all he could remember, which is why they call his works the shoemaker\u2019s dialogues.<\/em><span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_6')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_6')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_6')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_6')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_6');\" ><sup id=\"footnote_plugin_tooltip_41494_1_6\" class=\"footnote_plugin_tooltip_text\">[6]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_6\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_6')\" >Diogenes Laertius 2.122. I quote the translation by Pamela Mensch (Oxford UP, 2018), slightly amended.<\/span><\/span> &nbsp;<\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"705\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim.png\" alt=\"\" class=\"wp-image-41512\" style=\"width:575px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim.png 940w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-300x225.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-768x576.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-800x600.png?crop=1 800w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-600x450.png?crop=1 600w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-400x300.png?crop=1 400w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-200x150.png?crop=1 200w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-700x525.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-533x400.png 533w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim-560x420.png 560w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><figcaption class=\"wp-element-caption\"><em>The house of Simon the shoemaker at the Agora archaeological site in Athens.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"633\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim2.png\" alt=\"\" class=\"wp-image-41514\" style=\"aspect-ratio:1.484997426466503;width:574px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim2.png 940w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim2-300x202.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim2-768x517.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim2-700x471.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim2-594x400.png 594w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthSim2-560x377.png 560w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><figcaption class=\"wp-element-caption\"><em>The base of a cup with Simon\u2019s name inscribed on it (in the genitive case, indicating possession).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Diogenes goes on to say that Simon was the first person to write down Socratic conversations.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_7')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_7')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_7')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_7')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_7');\" ><sup id=\"footnote_plugin_tooltip_41494_1_7\" class=\"footnote_plugin_tooltip_text\">[7]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_7\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_7')\"  style=\"width: 16.8em;\">Diogenes Laertius 2.123.<\/span><\/span> It was, then, in the House of Simon on the Street of the Marble Workers that the Socratic dialogue was first conceived. Socrates\u2019 admirer Aeschines also wrote \u201cshoemaker dialogues\u201d and Phaedo, made famous by the Platonic dialogue named after him, wrote a dialogue called <em>Simon<\/em>.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_8')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_8')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_8')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_8')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_8');\" ><sup id=\"footnote_plugin_tooltip_41494_1_8\" class=\"footnote_plugin_tooltip_text\">[8]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_8\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_8')\"  style=\"width: 19.6em;\">See Diogenes Laertius 2.105.<\/span><\/span> It was also probably in Simon\u2019s workshop that Socrates engaged in conversations with the youth of Athens. Xenophon reports that because adolescents were not allowed into the Agora itself, they tended to congregate in the surrounding streets and workshops, and this is where Socrates would meet them.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_9')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_9')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_9')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_9')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_9');\" ><sup id=\"footnote_plugin_tooltip_41494_1_9\" class=\"footnote_plugin_tooltip_text\">[9]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_9\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_9')\"  style=\"width: 19.6em;\">Xenophon, <em>Memorabilia<\/em> 4.2.1.<\/span><\/span> In other words, it was in workshops like Simon\u2019s that Socrates was \u201ccorrupting the youth\u201d, as his later trial charge would claim.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">That trial took place in 399 BC not far away on the other side of the Agora, and the events of that day are dramatized by both Plato and Xenophon. As we all know, Socrates was found guilty of the twin charges of corrupting the youth and introducing new gods. After the trial Socrates was taken to the prison located \u2013 you guessed it \u2013 on the Street of the Marble Workers, just yards away from where he held the conversations with Simon and others that got him into trouble.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"580\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthAcr.png\" alt=\"\" class=\"wp-image-41518\" style=\"aspect-ratio:1.6206616363813626;width:606px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthAcr.png 940w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthAcr-300x185.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthAcr-768x474.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthAcr-700x432.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthAcr-648x400.png 648w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/AthAcr-560x346.png 560w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><figcaption class=\"wp-element-caption\"><em>View of the Parthenon and Acropolis from the Agora.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Socrates was held in prison there for a month before his execution. A ship was travelling to Delos, in honour of Theseus\u2019 famous rescue of Athenian captives from the Minotaur in Crete. According to Athenian custom, executions were not permitted while the sacred ship was away, so they had to wait for its return. Plato\u2019s dialogue <em>Crito<\/em> is set in the prison just before the ship arrived back.<span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_10')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_10')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_10')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_10')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_10');\" ><sup id=\"footnote_plugin_tooltip_41494_1_10\" class=\"footnote_plugin_tooltip_text\">[10]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_10\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_10')\"  style=\"width: 44.8em;\">Now available online in a fresh translation by David Horan <a href=\"https:\/\/www.platonicfoundation.org\/translation\/crito\/\">here<\/a>.<\/span><\/span> In it, Crito desperately tries to persuade Socrates to escape before it is too late, but Socrates refuses. Eventually, the man met his fate by drinking the hemlock. Archaeologists have found small vials containing traces of the poison at the site of the prison, which can now be seen in the Agora Museum. This event is also dramatized by Plato, in the <em>Phaedo<\/em>. <span class=\"footnote_referrer relative\" onmouseover=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_11')\" onfocus=\"footnote_tooltip_show('footnote_plugin_tooltip_text_41494_1_11')\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_11')\" onfocusout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_11')\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_41494_1('footnote_plugin_reference_41494_1_11');\" ><sup id=\"footnote_plugin_tooltip_41494_1_11\" class=\"footnote_plugin_tooltip_text\">[11]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_41494_1_11\" class=\"footnote_tooltip position hidden\" onmouseout=\"footnote_tooltip_hide('footnote_plugin_tooltip_text_41494_1_11')\"  style=\"width: 15.4em;\">Available online <a href=\"https:\/\/www.platonicfoundation.org\/translation\/phaedo\/\">here<\/a>.<\/span><\/span><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">As we can see, the Street of the Marble Workers played an especially important part in Socrates\u2019 life. Perhaps he played in the street here as a young boy, outside his father\u2019s workshop, and perhaps he worked alongside his father, preparing blocks and sculptures for the Parthenon. That\u2019s just romantic speculation on my part. Yet we are on slightly firmer ground to think that it was along this street in and around the workshops that Socrates discussed philosophy, perhaps inspired to compare human excellence or virtue (\u1f00\u03c1\u03b5\u03c4\u03ae, <em>aret<\/em><em>\u0113<\/em>) to an art or craft (\u03c4\u03ad\u03c7\u03bd\u03b7, <em>techn<\/em><em>\u0113<\/em>) by the presence of the craftsmen all around him. His attempt to define human excellence not with reference to good birth or physical strength, as was common in his time, but as a craft that can be developed and taught inaugurated the study of ethics as a discipline.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"787\" height=\"640\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/04\/Monsiau.jpg\" alt=\"\" class=\"wp-image-2052\" style=\"aspect-ratio:1.2296807377722523;width:554px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/04\/Monsiau.jpg 787w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/04\/Monsiau-300x244.jpg 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/04\/Monsiau-768x625.jpg 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/04\/Monsiau-700x569.jpg 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/04\/Monsiau-492x400.jpg 492w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/04\/Monsiau-560x455.jpg 560w\" sizes=\"auto, (max-width: 787px) 100vw, 787px\" \/><figcaption class=\"wp-element-caption\"><em>The Debate of Socrates and Aspasia, Nicolas-Andr\u00e9 Monsiau, c. 1800 (Pushkin Museum, Moscow, Russia)<\/em>.<\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">So, the Street of the Marble Workers: the place where Socrates lived and died, where he corrupted the youth, where the Socratic dialogue was born, and where ethics as a philosophical discipline first took shape. It looks fairly inconsequential today, if you can even find it in its neglected corner of the archaeological site of the Agora. But this is where the son of Sophroniscus the stone worker became the most iconic philosopher of all time.<\/p>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"861\" height=\"868\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS.jpeg\" alt=\"\" class=\"wp-image-3940\" style=\"aspect-ratio:0.9919376535762044;width:228px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS.jpeg 861w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-298x300.jpeg 298w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-150x150.jpeg?crop=1 150w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-768x774.jpeg 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-700x706.jpeg 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-100x100.jpeg?crop=1 100w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-397x400.jpeg 397w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-560x565.jpeg 560w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2021\/06\/JS-50x50.jpeg?crop=1 50w\" sizes=\"auto, (max-width: 861px) 100vw, 861px\" \/><\/figure>\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>John Sellars is Reader in the History of Philosophy at Royal Holloway, University of London, where he teaches ancient philosophy to students on both the Philosophy and Classics programmes. His upcoming book<\/em> Stoicism is Not What You Think <em>will be published by Penguin in October 2026.<\/em> <em>He has previously written for <\/em>Antigone <em>about <a href=\"https:\/\/antigonejournal.com\/2021\/06\/enduring-appeal-stoics\/\" target=\"_blank\" rel=\"noopener\">the enduring legacy of the Stoics<\/a>, <a href=\"https:\/\/antigonejournal.com\/2026\/06\/what-was-stoicism\/\" target=\"_blank\" rel=\"noreferrer noopener\">what was Stoicism<\/a>, and <a href=\"https:\/\/antigonejournal.com\/2023\/01\/how-to-be-aristotelian\/\" target=\"_blank\" rel=\"noopener\">how to be an Aristotelian<\/a>.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Further Reading<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Mabel L. Lang, <em>Socrates in the Agora<\/em> (The American School of Classical Studies at Athens, Princeton, NJ, 1978): <a href=\"https:\/\/www.ascsa.edu.gr\/publications\/book\/?i=9780876616178\">https:\/\/www.ascsa.edu.gr\/publications\/book\/?i=9780876616178<\/a> <em><\/em><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Dorothy Burr Thompson, \u201cThe House of Simon the Shoemaker,\u201d <em>Archaeology<\/em> 13.4 (1960) 234\u201340: <a href=\"http:\/\/www.jstor.org\/stable\/41663802\">http:\/\/www.jstor.org\/stable\/41663802<\/a><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Homer A. Thompson &amp; R.E. Wycherley, <em>The Athenian Agora Vol. XIV: The Agora of Athens<\/em> (The American School of Classical Studies at Athens, Princeton, NJ, 1972): <a href=\"https:\/\/www.ascsa.edu.gr\/publications\/books\/open-access-books\/athenian-agora-oa\">https:\/\/www.ascsa.edu.gr\/publications\/books\/open-access-books\/athenian-agora-oa<\/a><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">John Sellars, \u201cSimon the Shoemaker and the Problem of Socrates,\u201d <em>Classical Philology<\/em> 98.3 (2003) 207\u201316, <a href=\"https:\/\/doi.org\/10.1086\/420717\">https:\/\/doi.org\/10.1086\/420717<\/a> <em><\/em><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Robert Sobak, \u201cSokrates among the Shoemakers,\u201d <em>Hesperia<\/em> 84.4 (2015) 669\u2013712: <a href=\"https:\/\/doi.org\/10.2972\/hesperia.84.4.0669\">https:\/\/doi.org\/10.2972\/hesperia.84.4.0669<\/a> <em><\/em><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_41494_1();\">Notes<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_41494_1();\">[<a id=\"footnote_reference_container_collapse_button_41494_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_41494_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">Notes<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_1');\"><a id=\"footnote_plugin_reference_41494_1_1\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\">See Diogenes Laertius, <em>Lives of the Philosophers<\/em> 2.18, and also 2.20, where Diogenes reports that Crito rescued Socrates from the workshop where he was working.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_2');\"><a id=\"footnote_plugin_reference_41494_1_2\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\">For an engaging account of the Persian invasion (reported in Herodotus 8.52\u20133) and the subsequent construction of the Parthenon, see David Stuttard, <em>Parthenon: Power and Politics on the Acropolis<\/em> (The British Museum Press, London, 2013).<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_3');\"><a id=\"footnote_plugin_reference_41494_1_3\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>3<\/a><\/th> <td class=\"footnote_plugin_text\">See Diogenes Laertius 2.19 and Pausanius 1.22.8.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_4');\"><a id=\"footnote_plugin_reference_41494_1_4\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>4<\/a><\/th> <td class=\"footnote_plugin_text\">See Homer A. Thompson and R.E. Wycherley, <em>The Athenian Agora Vol. XIV: The Agora of Athens<\/em> (The American School of Classical Studies at Athens, Princeton, NJ, 1972) 187. This and other volumes in the same series are freely available online <a href=\"https:\/\/www.ascsa.edu.gr\/publications\/books\/open-access-books\/athenian-agora-oa\">here<\/a>.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_5');\"><a id=\"footnote_plugin_reference_41494_1_5\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>5<\/a><\/th> <td class=\"footnote_plugin_text\">See Thompson and Wycherley (as n.4) 174.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_6');\"><a id=\"footnote_plugin_reference_41494_1_6\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>6<\/a><\/th> <td class=\"footnote_plugin_text\">Diogenes Laertius 2.122. I quote the translation by Pamela Mensch (Oxford UP, 2018), slightly amended.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_7');\"><a id=\"footnote_plugin_reference_41494_1_7\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>7<\/a><\/th> <td class=\"footnote_plugin_text\">Diogenes Laertius 2.123.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_8');\"><a id=\"footnote_plugin_reference_41494_1_8\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>8<\/a><\/th> <td class=\"footnote_plugin_text\">See Diogenes Laertius 2.105.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_9');\"><a id=\"footnote_plugin_reference_41494_1_9\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>9<\/a><\/th> <td class=\"footnote_plugin_text\">Xenophon, <em>Memorabilia<\/em> 4.2.1.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_41494_1('footnote_plugin_tooltip_41494_1_10');\"><a id=\"footnote_plugin_reference_41494_1_10\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8679;<\/span>10<\/a><\/th> <td class=\"footnote_plugin_text\">Now available online in a fresh translation by David Horan <a href=\"https:\/\/www.platonicfoundation.org\/translation\/crito\/\">here<\/a>.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  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craft<\/p>\n","protected":false},"author":201912443,"featured_media":30570,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[468367,678,1868],"tags":[],"class_list":["post-41494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-greek-literature","category-history","category-philosophy"],"yoast_head":"<!-- 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Many Eyes Did Homer\u2019s Cyclops Have?"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong><em>Eugenia Manolidou<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Everyone knows what a Cyclops looks like. From a child\u2019s first encounter with Greek mythology to the most elaborate paintings and cinematic recreations, the creature is immediately recognisable by the single enormous eye set in the middle of his forehead. Polyphemus, the savage shepherd who traps Odysseus and his companions in his cave, has supplied that image with its most memorable story: intoxicated by Maron\u2019s wine, overcome by sleep and pierced by a fire-hardened olive stake, he awakens to a darkness from which all the cunning of \u201cNobody\u201d will soon escape. The <em>Odyssey<\/em>, Homer\u2019s epic poem which made this monster immortal, gives us his size, his solitude, his immense strength and his brutal appetite with terrible precision. However, it also allows the feature that later generations would regard as his anatomical essence to emerge through the action itself, without pausing for a formal description of the single eye.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">That reticence has occasionally encouraged a startling conclusion: perhaps Homer\u2019s Polyphemus possessed two eyes, while the familiar monocular Cyclops arose through a later conflation of distinct mythical traditions. The suggestion has genuine ancient ancestry, and its long history deserves attention. The language of the episode leaves room for grammatical argument; the architecture of its story leads us, with remarkable firmness, towards the familiar one-eyed figure.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"961\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycEl.png\" alt=\"\" class=\"wp-image-41469\" style=\"aspect-ratio:1.065563831668583;width:476px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycEl.png 1024w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycEl-300x282.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycEl-768x721.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycEl-700x657.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycEl-426x400.png 426w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycEl-560x526.png 560w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Odysseus blinding the Cyclops Polyphemus, decoration on the neck of the \u201cEleusis Amphora\u201d, c.650\u2013625 BC (Archaeological Museum of Eleusis, Greece).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>The Eye in Homer\u2019s Story<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Polyphemus first appears long before Odysseus began his own account of the wanderings. When Athena explains Poseidon\u2019s anger in Book 1, she identifies \u201cthe godlike Polyphemus, greatest in strength among all the Cyclopes\u201d, whose eye Odysseus blinded: \u039a\u03cd\u03ba\u03bb\u03c9\u03c0\u03bf\u03c2, \u1f43\u03bd \u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u03bf\u1fe6 \u1f00\u03bb\u03ac\u03c9\u03c3\u03b5\u03bd (1.69\u201370). The singular \u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u03cc\u03c2 then accompanies the blinding throughout Book 9. Odysseus and his chosen companions drive the stake \u201cinto his eye\u201d (\u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u1ff7 \u1f10\u03bd\u03ad\u03c1\u03b5\u03b9\u03c3\u03b1\u03bd, 9.383); they rotate it \u201cin the eye\u201d (\u1f10\u03bd \u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u1ff7, 9.387); the eye hisses around the olive wood (9.394); and Polyphemus tears the stake \u201cfrom his eye\u201d (\u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u03bf\u1fd6\u03bf, 9.396). Later, Odysseus challenges him to tell any inquirer who inflicted the shameful blindness of his eye (\u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u03bf\u1fe6\u2026 \u1f00\u03bb\u03b1\u03c9\u03c4\u03cd\u03bd, 9.502\u20134); Polyphemus then expresses confidence that his father Poseidon can heal him (9.519\u201321), only for Odysseus to reply scornfully that not even the Earth-shaker will heal that eye (9.525).<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">A singular noun provides no complete anatomical inventory: a speaker may refer to an injury to \u201cthe eye\u201d of a person who possesses two, and Homer\u2019s repeated singular could, in isolation, identify only the organ under attack. Its full weight comes from the sequence that follows, for once the stake has destroyed this eye, Polyphemus is wholly unable to see. At dawn he sits at the mouth of the cave and feels the backs of his rams as they pass, while Odysseus and his surviving men cling beneath their bellies; the logic of one of the most celebrated escapes in world literature depends upon the darkness produced by that single wound.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1489\" height=\"1002\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2.png\" alt=\"\" class=\"wp-image-41473\" style=\"aspect-ratio:1.4860050890585241;width:586px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2.png 1489w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2-300x202.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2-1024x689.png 1024w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2-768x517.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2-1200x808.png 1200w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2-700x471.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2-594x400.png 594w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycCap2-560x377.png 560w\" sizes=\"auto, (max-width: 1489px) 100vw, 1489px\" \/><figcaption class=\"wp-element-caption\"><em>Odysseus and four companions blind Polyphemus: detail from the krater signed by Aristonothos, c.650 BC, made in the Etrurian town of Caere (Cerveteri) (Musei Capitolini, Rome, Italy).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Even the famous trick of the name is often remembered less precisely than Homer tells it. When the neighbouring Cyclopes hear Polyphemus\u2019 cries, they ask whether someone is killing him by force or treachery. His answer is \u039f\u1f56\u03c4\u03af\u03c2 \u03bc\u03b5 \u03ba\u03c4\u03b5\u03af\u03bd\u03b5\u03b9 \u03b4\u03cc\u03bb\u1ff3 \u03bf\u1f50\u03b4\u1f72 \u03b2\u03af\u03b7\u03c6\u03b9\u03bd (9.408): \u201cNobody is killing me by guile, and not by force.\u201d The familiar modern paraphrase, \u201cNobody has blinded me\u201d, belongs to the story\u2019s afterlife; explicit reference to the blinding comes when Odysseus reveals his true identity from the departing ship. The difference matters, for it reminds us how easily a memorable retelling can replace the exact words of the poem.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"600\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolJMWT.png\" alt=\"\" class=\"wp-image-36718\" style=\"width:608px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolJMWT.png 960w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolJMWT-300x188.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolJMWT-768x480.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolJMWT-700x438.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolJMWT-640x400.png 640w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolJMWT-560x350.png 560w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\"><em>Ulysses deriding Polyphemus, J.M.W. Turner, 1829 (National Gallery, London, UK).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Two Eyelids \u2013 And Two Eyebrows?<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">One verse, however, seems to look in another direction. As the heated stake turns in the wound, Homer describes the steam rising from the burning pupil:<\/p>\n\n\n<p style=\"padding-left: 40px;\">\u03c0\u03ac\u03bd\u03c4\u03b1 \u03b4\u03ad \u03bf\u1f31 \u03b2\u03bb\u03ad\u03c6\u03b1\u03c1\u2019 \u1f00\u03bc\u03c6\u1f76 \u03ba\u03b1\u1f76 \u1f40\u03c6\u03c1\u03cd\u03b1\u03c2 \u03b5\u1f57\u03c3\u03b5\u03bd \u1f00\u03cb\u03c4\u03bc\u03ae<\/p>\n<p style=\"padding-left: 40px;\">\u201cthe hot vapour singed all around his eyelids and brows\u201d (<em>Odyssey<\/em> 9.389)<\/p>\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Both \u03b2\u03bb\u03ad\u03c6\u03b1\u03c1\u03b1, \u201ceyelids\u201d, and \u1f40\u03c6\u03c1\u03cd\u03b1\u03c2, \u201cbrows\u201d, are plural. A single eye naturally has two lids, upper and lower, and \u03b2\u03bb\u03ad\u03c6\u03b1\u03c1\u03b1 occurs only in the plural in Homer. The brows pose the sharper question. In his recent Cambridge commentary on Book 9, Egbert J. Bakker suggests that \u1f40\u03c6\u03c1\u03cd\u03b1\u03c2 may have been attracted into the plural number of \u03b2\u03bb\u03ad\u03c6\u03b1\u03c1\u03b1; he also observes that the eyebrow belonging to an eye already lost would hardly be scorched as intensely as the brow directly above the burning stake. The verse can sustain curiosity more readily than anatomical certainty.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"655\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolOrc.png\" alt=\"\" class=\"wp-image-36733\" style=\"aspect-ratio:1.4656672047784374;width:586px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolOrc.png 960w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolOrc-300x205.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolOrc-768x524.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolOrc-700x478.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolOrc-586x400.png 586w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolOrc-560x382.png 560w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\"><em>A fresco of Odysseus and Polyphemus that takes a little while to decipher, from an Etruscan tomb of the 4th cent. BC (Tomb of Orcus, Tarquinia, Italy)<\/em>.<\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Ancient readers were already troubled by it. A scholion (marginal comment) on 9.383 imagines a naturally two-eyed Cyclops who had lost one eye \u201cthrough some accident\u201d before the encounter with Odysseus; the proof offered is precisely the pair of eyebrows. A much fuller scholion attached to 9.106 preserves an even more remarkable discussion. Philoxenus is said to have thought that Hesiod had been misled: because the blinding of one eye left Polyphemus unable to see, the poet of the <em>Theogony<\/em> inferred that the Cyclopes were naturally one-eyed. The scholiast then proposes that Polyphemus had probably lost his other eye for some earlier and entirely different reason, before Odysseus reached the island.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">The same scholion preserves the ancient reply. If Polyphemus had already lost one eye, why had Poseidon, whom he regarded as capable of healing the second, left the first untreated? Why does Odysseus speak simply of the shameful blindness \u201cof your eye\u201d? The discussion has the shape of a miniature seminar conducted across centuries: a textual difficulty, an ingenious reconstruction of events outside the poem, and an objection drawn from the poem\u2019s own language. The hypothesis of an earlier accident remains possible in the narrowest sense, though it requires an unwritten episode whose sole purpose is to reconcile the plural \u201cbrows\u201d with the complete blindness produced by a single wound.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"561\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycVT.png\" alt=\"\" class=\"wp-image-41479\" style=\"width:624px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycVT.png 1020w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycVT-300x165.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycVT-768x422.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycVT-700x385.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycVT-727x400.png 727w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycVT-560x308.png 560w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><figcaption class=\"wp-element-caption\"><em>The blinding of Polyphemus, reconstruction from sculptural fragments found at the Villa of Tiberius, 1<sup>st<\/sup> cent. AD (Sperlonga, Italy).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>When Grammar Counts Differently<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Modern Greek offers a modest warning against turning grammatical number too quickly into anatomy. A Greek speaker who has spent the night awake may say \u039c\u03ac\u03c4\u03b9 \u03b4\u03b5\u03bd \u03ad\u03ba\u03bb\u03b5\u03b9\u03c3\u03b1 \u03cc\u03bb\u03bf \u03c4\u03bf \u03b2\u03c1\u03ac\u03b4\u03c5 \u2013 literally, \u201cI did not close an eye all night.\u201d Every listener understands that sleep, which closes both eyes, never came. An equally familiar proverb says \u039a\u03cc\u03c1\u03b1\u03ba\u03b1\u03c2 \u03ba\u03bf\u03c1\u03ac\u03ba\u03bf\u03c5 \u03bc\u03ac\u03c4\u03b9 \u03b4\u03b5\u03bd \u03b2\u03b3\u03ac\u03b6\u03b5\u03b9, \u201cOne crow does not peck out another crow\u2019s eye,\u201d using the singular for creatures naturally equipped with two. Its earlier Byzantine form employs the plural \u2013 \u039a\u03cc\u03c1\u03b1\u03be \u03ba\u03cc\u03c1\u03b1\u03ba\u03bf\u03c2 \u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u03bf\u1f7a\u03c2 \u03bf\u1f50\u03ba \u1f10\u03ba\u03b2\u03ac\u03bb\u03bb\u03b5\u03b9, \u201cA crow does not put out another crow\u2019s eyes\u201d \u2013 while preserving exactly the same proverbial thought.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Their value lies in the durable linguistic principle they illustrate, since paired parts of the body often acquire generic, collective or idiomatic expression, and their grammatical number need not count the organs before us. English speakers \u201ckeep an eye\u201d on someone with their ordinary binocular vision. The Homeric singular \u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u03cc\u03c2 accordingly gains its persuasive force from the action surrounding it, while the plural \u1f40\u03c6\u03c1\u03cd\u03b1\u03c2 offers only a slender foundation for reconstructing an otherwise unknown injury in Polyphemus\u2019 past.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"624\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycGR.png\" alt=\"\" class=\"wp-image-41481\" style=\"aspect-ratio:1.227578433337757;width:477px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycGR.png 766w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycGR-300x244.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycGR-700x570.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycGR-491x400.png 491w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycGR-560x456.png 560w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><figcaption class=\"wp-element-caption\"><em>Polyphemus, Guido Reni, 1639\u201340 (Musei Capitolini, Rome, Italy).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Hesiod\u2019s Unequivocal Cyclopes<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Hesiod supplies the anatomical description that Homer withholds. The three Cyclopes of the <em>Theogony<\/em> \u2013 Brontes, Steropes and Arges, the divine craftsmen who give Zeus his thunder and fashion the thunderbolt \u2013 resemble the gods in all respects except one:<\/p>\n\n\n<p style=\"padding-left: 40px;\">\u03bc\u03bf\u1fe6\u03bd\u03bf\u03c2 \u03b4\u2019 \u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u1f78\u03c2 \u03bc\u03ad\u03c3\u03c3\u1ff3 \u1f10\u03bd\u03ad\u03ba\u03b5\u03b9\u03c4\u03bf \u03bc\u03b5\u03c4\u03ce\u03c0\u1ff3<\/p>\n<p style=\"padding-left: 40px;\">\u201ca single eye was set in the middle of their foreheads\u201d (<em>Theogony<\/em> 143)<\/p>\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Hesiod then connects their name with the \u03ba\u03c5\u03ba\u03bb\u03bf\u03c4\u03b5\u03c1\u1f74\u03c2 \u1f40\u03c6\u03b8\u03b1\u03bb\u03bc\u03cc\u03c2, the round or circular eye set in the middle of their forehead (144\u20135). Alongside these divine craftsmen stand the isolated shepherds of the <em>Odyssey<\/em> and still other Cyclopes, including the builders associated with the monumental walls of Mycenae and Tiryns; the shared name gathers figures of different origins and bodies into one capacious mythical family. Hesiod\u2019s verses show that the one-eyed Cyclops already belongs to archaic Greek poetry itself.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"883\" height=\"720\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolCH.png\" alt=\"\" class=\"wp-image-36726\" style=\"aspect-ratio:1.2263754724905502;width:559px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolCH.png 883w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolCH-300x245.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolCH-768x626.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolCH-700x571.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolCH-491x400.png 491w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2025\/10\/OdPolCH-560x457.png 560w\" sizes=\"auto, (max-width: 883px) 100vw, 883px\" \/><figcaption class=\"wp-element-caption\"><em>Odysseus getting Polyphemus drunk, Constantin Hansen, 1835 (priv. coll.).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">The name remains tantalising. \u039a\u03cd\u03ba\u03bb\u03c9\u03c8 (<em>Kukl<\/em><em>\u014d<\/em><em>ps<\/em>) readily invites analysis as \u03ba\u03cd\u03ba\u03bb\u03bf\u03c2 (<em>kuklos<\/em>) and \u1f64\u03c8 (<em>\u014d<\/em><em>ps<\/em>), \u201ccircle-eye\u201d or \u201cround-eye\u201d, although roundness leaves the number unspecified; as Stephanie West observes, one might expect the defining name of a one-eyed creature to mean \u201cone-eyed\u201d. She raises the possibility that the apparently transparent Greek formation represents a popular etymology imposed on a non-Greek word. Other explanations have connected the creature with the wheel of the sun or interpreted the name along entirely different Indo-European lines. The uncertainty usefully reminds us that an ancient etymology may preserve a powerful interpretation while leaving a word\u2019s historical birth beyond recovery.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">By the later 5<sup>th<\/sup> century BC, Euripides could call the Cyclopes \u03bc\u03bf\u03bd\u1ff6\u03c0\u03b5\u03c2 (<em>mon<\/em><em>\u014d<\/em><em>pes<\/em>), \u201csingle-eyed\u201d, in the opening lines of his satyr play <em>Cyclops<\/em>. Monophthalmia was therefore firmly embedded in the Greek literary reception of the Homeric adventure, even as the precise relationship among Homer\u2019s shepherds, Hesiod\u2019s craftsmen and the wall-building giants remained fluid.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"504\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycArg.png\" alt=\"\" class=\"wp-image-41484\" style=\"aspect-ratio:1.4742015165996998;width:534px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycArg.png 743w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycArg-300x203.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycArg-700x475.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycArg-590x400.png 590w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycArg-560x380.png 560w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><figcaption class=\"wp-element-caption\"><em>The blinding of Polyphemus, krater of the mid-7th cent. BC (Archaeological Museum of Argos, Greece).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>The Many Eyes of Ancient Art<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">Ancient artists make that fluidity visible. The blinding of Polyphemus appears on the great Proto-Attic amphora from Eleusis, on an early Argive krater fragment, on the krater signed by Aristonothos and on a small but varied company of later vessels. Their Polyphemus may possess one, two or even three eyes. Amy C. Smith\u2019s study of these images shows how strongly the chosen medium and composition shaped the monster\u2019s anatomy. A painter presenting Polyphemus in profile could show a conventional lateral eye, thereby suggesting a matching eye on the hidden side of the face; another could aim the stake towards the forehead; the Lucanian Cyclops Painter, working in three-quarter view, gave the reclining giant two ordinary eyes and the central eye required by the impending action.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Such pictures belong to the history of the myth, shaped by oral narratives, poetic versions, established visual conventions and the practical demands of the surface before the painter. The variety of their solutions records a fluid iconography and counsels caution when a profile eye on an archaic vessel is invoked as decisive evidence for the body imagined by the poet of the <em>Odyssey<\/em>. Literary and visual traditions meet, separate and reshape one another; their differences reveal the creative life of the myth across centuries and media.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"739\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-1024x739.png\" alt=\"\" class=\"wp-image-41474\" style=\"aspect-ratio:1.3856375100111369;width:584px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-1024x739.png 1024w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-300x217.png 300w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-768x554.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-1200x866.png 1200w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-700x505.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-554x400.png 554w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM-560x404.png 560w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/CycBM.png 1388w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Odysseus and his companions prepare to blind Polyphemus, who is depicted with two lateral eyes and a third eye in his forehead: Lucanian red-figure calyx-krater attributed to the Cyclops Painter, c.420\u2013410 BC (British Museum, London, UK).<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Homer\u2019s Answer<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify wp-block-paragraph\">How many eyes, then, did Homer\u2019s Cyclops have? The poem leaves the anatomy to be inferred from the unfolding action, and ancient readers were perceptive enough to explore the small opening created by the absence of explicit description. Their proposal of an earlier accident deserves to be remembered, since it shows how closely they examined the same plurals and singulars that continue to provoke discussion. Its price is an intricate prehistory \u2013 a lost eye, an earlier calamity and a failure of divine healing \u2013 whose traces have vanished entirely from the narrative.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">The episode achieves complete coherence when Polyphemus possesses a single eye. Its destruction brings total darkness; darkness makes the escape beneath the sheep possible; and the name \u201cNobody\u201d prevents the blinded giant\u2019s neighbours from entering the cave before Odysseus\u2019 plan is complete. Homer allows the body of Polyphemus to become visible through consequence, movement and touch, trusting an audience for whom the one-eyed ogre may already have been familiar. His Cyclops emerges from the poem as he emerges from the cave: immense, wounded, groping towards the sound of a departing voice \u2013 and unable to see.<\/p>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized coblocks-animate\" data-coblocks-animation=\"fadeIn\"><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"1024\" src=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-633x1024.png\" alt=\"\" class=\"wp-image-41467\" style=\"width:269px;height:auto\" srcset=\"https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-633x1024.png 633w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-186x300.png 186w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-768x1242.png 768w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-950x1536.png 950w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-700x1132.png 700w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-247x400.png 247w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM-560x905.png 560w, https:\/\/antigonejournal.com\/wp-content\/uploads\/2026\/08\/EM.png 1158w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/figure>\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-justify has-medium-font-size wp-block-paragraph\"><em>Eugenia Manolidou is the Director of <a href=\"https:\/\/ellinikiagogi.gr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Elliniki Agogi<\/a>, an educational institution in Athens devoted to the teaching of Ancient Greek, Greek history and philosophy through active and experiential methods. She studied composition and orchestral conducting at The Juilliard School and is currently reading Classics at the Open University. She has written books and developed Classical Greek courses for the children\u2019s programmes of Elliniki Agogi and is actively involved in the growing international movement to promote active and experiential approaches to the teaching of Ancient Greek and Latin. Her work brings together language, music and performance,&nbsp;with particular emphasis on making the Classical world accessible to&nbsp;younger audiences.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Further Reading<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">The crucial passages in Homer\u2019s <em>Odyssey<\/em> can be found at 1.68\u201373 and 9.382\u2013525. The Greek text is drawn from T. W. Allen\u2019s Oxford Classical Text (<em>Homeri Opera<\/em>, vols. 3-4, Oxford UP, 1917\u201319). See also Hesiod, <em>Theogony<\/em> 139\u201346 and Euripides, <em>Cyclops<\/em> 20\u20132. Translations in this article are my own.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wilhelm Dindorf (ed.), <em>Scholia Graeca in Homeri Odysseam ex codicibus aucta et emendata<\/em>, vol. 1 (Oxford UP, 1855), scholia ad <em>Odyssey<\/em> 9.106 and 9.383.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Egbert J. Bakker (ed.), <em>Homer: Odyssey Book IX<\/em> (Cambridge UP, 2025), notes on 9.389 and 9.503.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stephanie West, \u201cOdysseus\u2019 most memorable exploit,\u201d <em>Classica Cracoviensia<\/em> 16 (2013) 189\u2013206, especially 200\u20131.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Amy C. Smith, \u201c\u2018Homeric\u2019 art in Ancient Greece: the case of Polyphemos,\u201d <em>Bath Royal Literary and Scientific Institution<\/em> 27, June 2005.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Robert Mondi, \u201cThe Homeric Cyclopes: folktale, tradition, and theme,\u201d <em>Transactions of the American Philological Association<\/em> 113 (1983) 17\u201338.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">The modern proverb <em>K\u00f3rakas kor\u00e1kou m\u00e1ti den vg\u00e1zei<\/em> is documented in the Archive of Proverbs and Traditions of the Hellenic Folklore Research Centre, Academy of Athens; for the Byzantine plural form, see Carlos Alberto Crida \u00c1lvarez, <em>El m\u00ednimo paremiol\u00f3gico griego con correspondencias en espa\u00f1ol<\/em> (Centro Virtual Cervantes, Madrid, 2021).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EUGENIA MANOLIDOU<br \/>\nWhat the Odyssey reveals, and conceals, about Polyphemus<\/p>\n","protected":false},"author":201912443,"featured_media":41484,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[468367,96687,49794357],"tags":[],"class_list":["post-41452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-greek-literature","category-material-culture","category-the-classical-tradition"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v19.6 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>How Many Eyes Did Homer\u2019s Cyclops Have? 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